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The reality is, this shit really has metastasised. Being kind, you might say Legacy lacks its own identity.
Essential Bourne-thrills reduced to the shredded facsimile of a master-craftsman. As he slews a motorbike down a stone partition, our sight is obscured. As Cross plunges between vertical walls, the view cuts away before he lands. When we finally get to the action, Gilroy does nothing honestly. For all the whip-pans and juddering momentum, Greengrass convinced us of the gravity-defying leap from roof to window, or the terrifying brunt of an incoming Trabant. The original Bourne trilogy, fast resembling neo-espionage classics, was set within sight of the real world - we felt the heft and hardship of the action. Which, frankly, is spoof-grade blarney.Īs a scientist who knows too much and hooks up with our hero, Rachel Weisz at least contributes some emotional gusto, running the gamut from sobbing wreck to nervy sidekick to (potential) love interest, but she is basically there to cling to the back of a motorcycle.
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And Renner plaintively informs us that if he doesn’t get some blues quick, he’s in grave danger of going full retard. As explained by mires of virus-related gobbledyspeak, Cross and less adept black ops miseries are nigh-on bioengineered X-Men. Sound familiar? It’s the crazy “headache” subplot from The Bourne Identity Greengrass sensibly jettisoned. Blue and green pills that boost healing and intelligence like videogame power-ups. Rather than shackled with memory loss, Cross is a military-grade junkie - he and fellow ‘Outcome’ agents are hooked on “chems”. Renner is at his best with a faint note of sarcasm Damon’s flickers of existential crisis are beyond him. He can do the physical stuff, but his deadpan keeps slipping into a sneer. Renner, already facing the uphill task of not being Damon, finds no sure ground for his character.
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We’re in a Bond movie and stuck with 006. But this sideways-sequel is so ham-fisted, so constipated with gravid exposition, you’ll be dashing home to weep hot, bitter, Damonless tears over your Bourne box set. We’ll dash about the globe with our persecuted spy, trashing places in fevered vérité, while the suits lock horns back home. The Bourne Legacy, with erstwhile Bourne-scribe Tony Gilroy replacing the (as swiftly becomes apparent) irreplaceable Paul Greengrass as director, and Jeremy Renner imitating the (just as obviously) inimitable Matt Damon, certainly does what is expected of it. And further words to that effect, eloquently discharged by a fulminating Edward Norton in the role of decent-actor-at-headquarters-scowling-at-computer-screens. This goes further than you can possibly imagine. Treadstone was just the tip of the iceberg.
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